Pleased to have “No. 214” chosen by The Museum of Modern Art (MOMA), Department of Painting and Sculpture Curator Jenny Harris to be exhibited in Greenwich Art Society’s exhibit “Parallel Visions, Realism & Abstraction” at the Flinn Gallery. July 25 – August 15, 2018.
Reception: Thursday, July 26th 6pm
A little about the juror. Jenny Harris has worked at The Museum of Modern Art in the Department of Painting and Sculpture since 2013, and has been a curatorial assistant since 2015. During this time, she has worked with Leah Dickerman on the exhibitions One-Way Ticket: Jacob Lawrence’s Migration Series and Other Visions of the Great Movement North (2015) and Robert Rauschenberg: Among Friends (2017), for which she also organized the public program Dance Among Friends, featuring choreography by Rauschenberg’s collaborators, Trisha Brown, Merce Cunningham, and Paul Taylor. Most recently, she assisted in the installation of the collection presentation, The Long Run (2017, organized by Paulina Pobocha and Cara Manes) and is currently working on the reinstallation of the collection for the reopening of the Museum in 2019. Prior to working at MoMA, she was the Liliane Pingoud Soriano Curatorial Fellow at the Musée du Louvre, Paris. She holds a BA from Wellesley College (2012)
Growing up in a beach town in the summer was amazing. I have fond memories as a young child of spending my days swimming, climbing the jetty and eating sandy peanut butter and jelly sandwiches (not recommended). In my teens, that same beach is where I had my first kiss and had my young heart shattered. When I think back to all of those experiences I smile. This quote by B.J. Neblett says it all.
“We are the sum total of our experiences. Those experiences – be they positive or negative – make us the person we are, at any given point in our lives. And, like a flowing river, those same experiences, and those yet to come, continue to influence and reshape the person we are, and the person we become. None of us are the same as we were yesterday, nor will be tomorrow.”
I am a beach girl at heart and my abstractions are the sum total of my life experiences.
I’m enthralled with large paintings but there is something to be said for smaller works of art. I recall walking into a museum show where Johannes Vermeer’s “Girl with the Pearl” was on loan from the Royal Picture Gallery Mauritshuis. I was really excited to see this iconic piece in person and was a little taken back on the dimensions of the painting. This little oil painting was breadth taking and that experience shifted my perspective on small paintings and their impact on the viewer. It was then that I started embracing the creation of small paintings.
I’ve updated my Figure Painting page to reflect these two new 8 x 8″ pieces. Here is a preview of what you can find there.
I’ve been really busy in the studio the past few months. Along with getting ready for some upcoming exhibitions, I have been working on a large number of new paintings. My website is updated with new figurative work and a new page for my Abstract paintings has been created. Here is one of my newest Abstractions titled “No. 214”.
I’m honored to have my work chosen to be exhibited in this years CAFA’s Mystic Museum of Art Exhibition.
Exhibition: April 20 – June 2, 2018
Opening Reception and Awards
Thursday, May 3, from 5:30 to 7:30 pm
Mystic Museum of Art
9 Water Street, Mystic, CT 06355
Open Daily and Weekends 11am – 5pm
This years jurors are talented in their own right. I’ve posted their bios below.
Eric Aho was born in Melrose, Massachusetts in 1966, and in 1974, moved with his family to Hudson, New Hampshire. After studying at the Central School of Art and Design in London, Aho received his BFA from the Massachusetts College of Art in Boston. In 1989, he participated in the first exchange of scholars between the U.S. and Cuba in over thirty years. Aho completed his graduate work at the Lahti Art Institute in Finland supported by a Fulbright Fellowship in 1991/92 and an American-Scandinavian Foundation grant in 1993. His paintings have been exhibited and collected widely in the United States and abroad. Since his earliest projects, Aho has joined historical research, personal inquiry, and a close reading of the landscape together with reverie and delight in experiencing the natural world reinvigorating what it means to paint the landscape today. He lives and works in Saxtons River, Vermont.
Robert Reynolds lives and works in Stony Creek, Connecticut. He is primarily self-taught and has been drawing and painting all his life. Robert has never lost the simple love for making marks on paper and carries a drawing book with him everywhere he goes. He has painted and worked all over the world, absorbing the cultures and sights he immerses himself in. His work has exhibited nationally, and is in collections internationally. Robert is also owner and namesake of Reynolds Fine Art, a contemporary art gallery located in downtown New Haven, CT. Website: http://reynoldsfineart.com/gallery/robert-reynolds/