I’m thrilled to share the exciting news that my painting ‘Fields” received the “Best in Show” award at the Fall 2020 Bendheim Show . Imagine my surprise and delight when I received the email that my painting was chosen! The first thing I did was step outside, take a deep breath and say “thank you”. .I’m extremely honored and humbled to be amongst such a fantastic lineup of talented artists. Huge congrats to all awardees and everyone in this exhibition!
The Bendheim Gallery / Greenwich Arts Center, 299 Greenwich Ave., Greenwich CT
March 8 – April 4, 2019
Viewing hours: Weekdays 10-5, Thursdays until 7, Weekends 12-4
Public Reception: Friday, March 15, 6:30pm-8pm
Excited to have work in this exhibit.
JUROR: Megan Fontanella, Curator, Modern Art and Provenance at the Solomon R. Guggenheim Museum, New York. Megan has curated or co-organized nearly thirty exhibitions for the Guggenheim’s extended constellation of museums in Berlin, Bilbao, New York, & Venice. Megan’s collection-based exhibitions have included Visionaries: Creating a Modern Guggenheim (2017); Art of Another Kind: International Abstraction and the Guggenheim, 1949–1960 (2012); and The Great Upheaval: Modern Art from the Guggenheim Collection, 1910–1918 (2011), among others. She also curated Visions of Modernity (2012-13), the final presentation of the Deutsche Guggenheim, Berlin. More recently, Megan co-curated Giacometti (2018) and supported Alberto Burri: The Trauma of Painting (2015-16), as well as Robert Motherwell: Early Collages (2013). Her current project is Van Gogh to Picasso: The Thannhauser Legacy (2018-20), an exhibition that will travel to Spain, France, and Italy. Megan likewise maintains the Guggenheim’s Thannhauser Gallery, a permanent display of 19th- and early 20th-century art. Apart from her exhibitions activities, Megan conducts provenance research for the Guggenheim & collaborates on cross-departmental initiatives related to collections stewardship. Megan received her B.A. in Art History modified with History from Dartmouth College & went on to receive her M.A. in Art History from the Courtauld Institute of Art, London, where she specialized in late 19th-century French art.